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The Snow Maiden
The Snow Maiden
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Artist: Vera Smirnova
Village: Palekh
Medium: Egg tempera and gold leaf on papier-mâché plaque
Dimensions: 12" x 8.25"
Mounting: Two metal clasps with wire for wall hanging
Description:
This magnificent lacquer plaque by master miniaturist Vera Smirnova depicts the poignant climax of the Russian fairy tale The Snow Maiden (Snegurochka), a story of love, loss, and the eternal pull of fate. At the heart of the scene, Mizgir kneels in anguish before the Snow Maiden, whose radiant figure dissolves into golden sunlight as she succumbs to the warmth of love—an emotion that, though deeply desired, seals her tragic end.
Warned by Father Frost and the gentle Faery Spring not to fall in love, the Snow Maiden chooses to experience human affection anyway, finding it at last in Mizgir, who adored her from the moment they met. As she melts into the sun’s rays, her departure is felt not just by him, but by all those gathered: Tsar Berendey, wise elders, musicians, maidens, and townsfolk, who form a sorrowful circle of witness. At the top corners, Faery Spring watches with quiet sadness, while Father Frost fixes his gaze directly at the viewer—as if to caution us that love, however beautiful, can bring heartache. And yet, we love.
Smirnova renders every figure with remarkable precision and grace. Her faces are luminous, expressive, and emotionally resonant, while the ornate garments and golden accents shimmer with painstaking detail. At the bottom of the composition, a ribbon held by young maidens may symbolize the flowing river of time and the inevitability of change. Lel, the gentle flute player who once intrigued the Snow Maiden, also stands among the mourners, no longer a romantic rival, but a part of her story’s gentle arc.
The golden beams of the sun radiate with breathtaking brilliance in person—far more striking than photographs can convey. Smirnova has painted this theme in several formats, but here she presents it as a large plaque, offering collectors a work of art meant for wall display rather than the traditional hinged box. The piece is mounted with two metal clasps and a wire for hanging and is signed clearly at the bottom with the artist’s name, the village of Palekh, and the title.
A masterwork of storytelling, craftsmanship, and emotion—this is Russian miniature painting at its most profound and poetic.
